Rui Charnock

Live event illustrator

Live event illustration is drawing made at an event while it happens, in front of the people it is about. Rui Charnock works in ink and watercolour across Portugal, producing about two finished illustrations per booked hour, or between fifty and seventy quick guest portraits in three hours if the brief is to draw the people rather than the room.

Same hand, same speed, a different reason for being there. At a wedding the drawing is the keepsake; at an event it is usually the thing that makes people stop walking.

Ink and watercolour drawing of three guests standing arm in arm against a yellow wash, drawn live at an event
Three people, one sheet, about eleven minutes.

Which format suits which event

The honest version. Find your objective, book the format listed against it. Booking the other one is the most common way this disappoints people.
If the objective isBookTypical sessionWhat people leave with
Stopping footfall at a standGuest portraits3–6 hoursA drawing of themselves
Something for guests to keepGuest portraits3 hours50–70 portraits handed out
A record of the eventEvent illustration4–9 hours8–18 finished pieces
Social content the same weekEither3+ hoursHigh-resolution files
Co-branded artworkEvent illustration6+ hoursOriginals and print files

What actually gets booked

Two formats, and most briefs are one or the other rather than both.

Guest portraits are the crowd format: two to three minutes a face, handed straight over, fifty to seventy in a three-hour session. A queue forms within about ten minutes of starting and it does not stop, which is either exactly what you wanted or a problem — worth deciding in advance.

Event illustration is the record format: about two finished pieces an hour, drawing the room, the speakers, the moment the thing was unveiled. It is quieter on the night and it is what you still have in March.

What it needs from the venue

One square metre, somewhere with light, not directly under a speaker. No power, no table, no rigging, no load-in. I arrive with a board and a bag and I am working within five minutes of walking in.

That is not a boast about being low-maintenance, it is a scheduling fact: it means the drawing can move when the event moves, and events move.

What you get, and when

Guests keep their portraits on the night. Everything else is finished in studio, scanned at archival resolution and posted within two weeks.

High-resolution digital files come sooner — usually within the same week, because for an event booking the files are half the point and nobody wants them a fortnight after the campaign closed.

What this is not

It is not graphic recording. Graphic recording — visual minutes, scribing, sketchnoting — is real-time visual summarising of talks onto large boards, and it is a genuinely different craft with a different deliverable. I do not do it, and a page here claiming otherwise would waste your time and mine.

It is also not caricature. Guest portraits are drawn straight: recognisable, quick, and not at anyone's expense.

Tell me the date, the venue and roughly how many people. I will come back with a number.

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By event type

Check your date

Tell me when and where. If I am free, I will come back with what it costs and roughly how the day would run — usually the same evening.

Leave blank if it is not fixed yet.

I reply within 24 hours.

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